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It’s a baffling twist in an episode full of them.
The episode’s climactic double cross gets double- crossed as Cookie announces her hostile takeover plan to Jamal at Empire’s board meeting, only to find that Jamal and Lucious have scooped her investor, The relationship feels knotty and real even in the most surreal of circumstances As terrible as they are for each other, Lucious and Cookie shareĪ warmth on screen together that neither shows when they’re apart. Meant to scare Lucious into coughing up dirt about his colleagues, but the juicier subtext is that he finds out Cookie didn’t rat him out. Roxanne Ford, a ruthless new prosecutor (Tyra Ferrell of “Boyz n the Hood” and “White Men Can’t Jump”) pays Lucious a visit to reveal Vernon as the trial’s star witness. For once we know something Lucious doesn’t. It’s delicious that no one knows Vernon’sĭead. The aftermath of last season’s unexpected murder of Vernon is briefly shown as Andre has a nightmare about being coaxed by his wife, Rhonda, to bury the body. Jamal often feels like the only live human operating here. He’s troubled and unsure of himself, but as the label’s top dog, he doesn’t get room for missteps. Jamal lacks the Lyon family deceitfulness, but there’s a darkness Of the studio, much to the delight of Andre, who, as the nonmusical Lyon, can’t understand why he’s not running the company. Hakeem refuses to answer to his brother, and Jamal can’t handle a schedule that keeps him off the road and out On our first day back at Empire, none of the Lyon brothers seem comfortable with Jamal as big boss. Neither Gathers nor the cousin makes it out of the episode, though, and it feels like a missed opportunity to explore the fallout from Cookie’s negligence. (It’s so so subtly implied that he’s a cannibal, a plotline that was apparently toned way down by the network.) Gathers is played by Chris Rock, who doesn’t seem quite right in the role of a fallen kingpin until you start to catch wind of the character’s mood swingsĪnd eccentricities. Hitman, Teddy McNally, in the first season. Frank Gathers, the drug boss, is there thanks to the grand jury testimony that won Cookie an early release, as is the cousin Cookie hired to off Gathers’s personal Solved by plopping a bad guy in the slammer.
His incarceration opens up intriguing new plot avenues, since a few of the first season’s biggest messes were too neatly Lucious, in jail, watches Cookie’s event from his cell block’s common area. What’s more, it’s disappointing for a show as sensitive and dynamic about queerness as “Empire” has been with Jamal to lean on lusty lesbian stereotypes. It shouldn’t take any canoodling to see that the record Mimi’sĪ lesbian, and her sexuality is a central plot point, since Cookie seems to be courting her business entirely through flirtation. The event is secretly a stunt to draw the attention of the investor Mimi Whiteman (Marisa Tomei), whose seed money the family, sans Jamal, hopes to use to for a hostile takeover at the next Empire board meeting. Prime-time television and the Black Lives Matter movement haven’t intersectedĮnough this year (cheers to NBC’s bold young “The Carmichael Show” for making it happen), and it’s exciting to see one of TV’s biggest shows acknowledge the world it plays to,Įspecially when Cookie snubs Al Sharpton and rips Don Lemon’s hacky CNN race debates from this past summer. It up in a cage, wearing a gorilla suit, before delivering an impassioned speech denouncing the American prison industrial complex.
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The second season opens with the Lyon family staging a star-studded Central Park rally to free its patriarch. Cookie ultimately came out on top in a stunning reversal of fate as Lucious landed behind bars after
Their dance of betrayal played sons, spouses and business partners against each other, pawns in a game for two. Season 1 of “Empire” followed the near death and revitalization of the Lyon hip-hop dynasty at the hands of co-founders Lucious and Cookie, an estranged husband and wife animated by their lust for power. Season 2, Episode 1: “The Devils Are Here”